Yours For A Song: The Women Of Tin Pan Alley

by Terry Benes

Average Rating: 4.0 Rating

List Price: $24.98 / Lowest Price: $5.95

order now

From the Editors

It's a little known fact that many popular music standards of the Tin Pan Alley era were written by women. But between 1920 and 1949, 178 women joined ASCAP, and Dorothy Fields, Kay Swift, Dana Suesse and Ann Ronell were among the most influential songwriters of the time. Their music was heard everywhere--from the vaudeville stages to Broadway, across the airwaves and at the movies. <I>Yours for a Song</I> pays tribute to the lives and work of these remarkable women. Features Betty Buckley, Michael Feinstein, Robert White, Nora Michaels and others performing their interpretations of classic songs written by the women of Tin Pan Alley. Also includes archival footage, motion picture clips and rarely-seen photographs from the "Golden Age of Songwriting" as well as performance clips of Frank Sinatra, Ella Fitzgerald and Perry Como. Songs include: "Yours for a Song," "You Ougtha Be in Pictures," "If My Friends Could See Me Now," "The Way You Look Tonight," "A Fine Romance," "I'm in the Mood for Love," "Willow Weep for Me," "Who's Afraid of the Big Bad Wolf?," "Fine and Dandy," "Can't We Be Friends?," "I Can't Give You Anything But Love." 55 minutes.
Description

Customer Response

Four Great Song Writers, Who Happened To Be Women
Subtitled "The Women of Tin Pan Alley," it's a fascinating look at several women composers and lyric writers who managed to make a name for themselves in the Twenties and Thirties writing some great popular songs. This was the golden age of American song writing and, like everything else except marriage, was difficult for a woman to break into.

The program, one of the American Masters series on PBS, centers primarily on four women, now almost entirely forgotten except for Dorothy Fields, but all of whom wrote some great standards:

--Dorothy Fields, one the great lyric writers. Her career spanned the mid-Twenties well into the Sixties (collaborating with Cy Coleman on her last two shows, Sweet Charity and, in 1973, Two for the Seesaw). "I'm in the Mood for Love," "The Way You Look Tonight."
--Kay Swift, composer, very much her own woman yet deeply influenced by George Gershwin. "Can't We Be Friends?," "Fine and Dandy."
--Anne Ronell, composer, with a long, Hollywood career. "Willow Weep for Me," "Whose Afraid of the Big Bad Wolf."
--Dana Suesse, composer, who wrote everything from jazz symphonies to pop songs. "You Ought to Be in Pictures," "Whistling in the Dark."

If you're fond of well-written and literate songs, pretty much a thing of the past nowadays, this is a program that should interest you. It features their songs sung by people like Michael Feinstein and Betty Buckley, footage of singers like Ella Fitzgerald and Rosemary Clooney and a trove of historical clips. The program is only 55 minutes, so it's not able to do more than skim the subject matter. The DVD looks very good, including the old clips.

Others also Liked

Somewhere Over the Rainbow: Harold Arlen
Biography - Irving Berlin: An American Song (A&E DVD Archives)
Evening With
Fine and Dandy: The Life and Work of Kay Swift
The Great American Songbook

 Back to Top